The 22-2 is TASCAM's solution to a common problem - a full-performance 15 ips half-track recorder at an "audio deck" price. If your application demands master quality
tapes and you can sacrifice the extra recording time potential of larger reels, the 22-2 will give you everything you need. The money you save on the 22-2 will help equip the rest of your studio!

 * 15ips and 7-1/2 ips tape speeds * 3-motor, 3-head * 7" reel size * Independent left and right channel recording/ monitoring capability * Expanded scale VU meters * Mic/Line Mixing * Optional remote pause control (RP-22)

Mic input: -60dBV (1mV)/200-600 ohms
Line input: -10dBV (0.3V)/50k ohms, unbalanced
Line output: -10dBV (0.3V)/10k ohms or higher
Wow and flutter: 0.04% RMS (NAB weighted, 15 ips)
Overall freq. response: 35-25kHz ±3dB (15 ips)
S/N ratio: 66dB weighted (3% THD level, 1 kHz)
THD: 1%at 1kHz
Adjacent channel separation: better than 50dB, at 1 kHz
Dimensions (WxHxD): 410x326x231mm
Weight: 14kg net

When the need is for the cheapest possible four-channel multitrack deck, the TASCAM 22-4 is the one to go for. The cost savings made possible by limiting the transport to a 7-inch reel capability, without sacrificing any of the essentials required for studio quality tapes, make the 22-4 unique in its price/performance ratio. At the studio standard recording speed of 15ips, 22-1/2 minutes of top quality four-channel master tape is possible. No other deck at this price offers so much.

 * 4 tracks on 1 /4" tape * 15 ips tape speed * ±6% pitch control * 7" reel size  * Headphone monitor select matrix * Memory stop function * Manual Cueing * Optional remote control unit (RC-70) * Optional dbx noise reduction (RX-9) * Function and output select

Line input: -10dBV (0.3V)/50k ohms, unbalanced
Line output: -10dBV (0.3V)/10k ohms or higher
Wow and flutter: 0.04% RMS (NAB weighted, 15 ips)
Overall freq. response: 35-25kHz ±3dB at 1 5 ips
S/N ratio: 61dB weighted (3%THD level, 1kHz) at 15 ips
THD: 1%at0VU, 1kHz
Adjacent channel separation: better than 40dB, at 1 kHz
Dimensions (WxHxD): 416x410x260mm
Weight: 18kg net

The 32-2B offers top-level mastering performance with exceptional economy. Its transport is extremely stable thanks to an advanced dual-capstan closed-loop system that maintains perfect tape-to-head contact at all times. An optional dbx noise reduction system is available for greatly increased signal-to-noise ratio and dynamic range, and an advanced motion sensing system assures smooth changeover between all transport modes.

 * Manual cue lever * Rec Mute function * 15ipsand 7-1/2 ips tape speeds * ±6% pitch control * 10-1/2" reel size * Mic inputs * Selectable IEC and NAB equalization * Optional dbx noise reduction unit (DX-2B) * Optional remote control unit (RC-90) * Independent left and right channel recording capability

Mic input: -62dBV/200-600 ohms
Line input: -14dBV (0.2V)/50k ohms, unbalanced
Line output: -7dBV (0.45mV)/10k ohms or higher
Wow and flutter: 0.02% RMS (NAB weighted, 15 ips)
Overall freq. response: 35-25kHz ±3dB (15 ips)
S/N ratio: 63dB weighted (3% THD level, 1kHz, 15 ips)
THD: 0.8% at 0 VU, 1kHz
Adjacent channel separation: better than 50dB, at 1 kHz
Dimensions (WxHxD): 432x452x262mm
Weight: 20kg net

Featuring professional construction and performance, the 35-2B is a real studio work-horse. Its exceptionally stable transport offers tension servo and an impedance roller for perfect tape-to-head contact, and a motion sensing system to protect your valuable tapes. A built-in dbx noise reduction system provides extremely high signal-to-noise ratio and stunning dynamic range.

 * ±6% pitch control * 15 ips and 7-1/2 ips tape speeds * 10-1/2" reel size * Tape-dump Edit function * "Manual cue lever"  * Optional remote control (RC-70) * Fine record bias and EQ adjustment * Built-in dbx noise reduction * Optional tape deck console (CS-600) * Independent transport and electronics * Independent left and right channel recording capability

Line input: -14dBV (0.2V)/50k ohms, unbalanced
Line output: -7dBV (0.45V)/10k ohms or higher
Wow and flutter: 0.03% RMS (NAB weighted, 15 ips)
Overall freq. response: 40-22kHz ±3dB at 15 ips
S/N ratio: 60dB weighted (3% THD level, 1 kHz)
THD: 0.6% at 0 VU, 1kHz
Adjacent channel separation: better than 50dB, at 1 kHz Dimensions (WxHxD): Transport: 478x419x268mm
Electronics: 478x177x237mm Weight: Transport: 25kg net, Electronics: 8kg net

This versatile deck is ideal for the small studio. It has all the flexibility and features for which TASCAM is famous. One touch sync selection, record mode selection and punch-in/punch-out recording, together with an optional integral dbx unit provide the flexibility needed for multi-miking, multi-channel applications. Extraneous features that will not be used - such as mike inputs and front-panel gain controls have all been eliminated. The transport has been built to very high standards of ruggedness, making the 44 the deck of choice in moderately priced, four-channel decks.

 * 10-1/2" reel size * 4 tracks on 1/4" tape * 15ips and 7-1/2 ips tape speeds * ±6% pitch control * Ping-pong recording * Punch-in/punch-out * Counter memory stop * Optional remote control (RC-170) * Optional dbx noise reduction unit (DX-44)

Line input: -10dBV (0.3V)/20k ohms, unbalanced
Line output: -10dBV (0.3V)/50k ohms or higher
Wow and flutter: 0.03% RMS (NAB weighted, 15 ips)
Overall freq. response: 35-25kHz ±3dB at 1 5 ips (Sync & Repro)
S/N ratio: 65dB weighted (3% THD level, 1 kHz) at 15 ips
THD: 1% at 0VU,1kHz
Adjacent channel separation: better than 45dB, at 1 kHz
Dimensions (WxHxD): 445x535x305mm
Weight: 36kg net

Offering professional-level performance and a comprehensive control system, the 80-8 is a favorite in medium-size amateur and professional studios throughout the world. Full frequency response is available in the sync monitor mode so all important multitrack recording techniques including ping-ponging and punch-in operations are possible. And a unique TASCAM Function and Output Select matrix makes setting up record and sync channel assignments faster and easier than ever.

 * 8 tracks on 1/2" tape !!! * 15 ips tape speed * Optional ±10% variable speed control (VSK-88) * Optional dbx noise reduction system (DX-8)

Line input: -10dBV (0.3V)/50k ohms, unbalanced
Line output: -10dBV (0.3V)/10k ohms or higher
Wow and flutter: 0.04% RMS (NAB weighted)
Overall freq. response: 40-18kHz ±3dB (Sync & Repro)
S/N ratio: 65dB weighted (3% THD level, 1 kHz)
THD: 1%at0VU, 400Hz
Adjacent channel separation: better than 45dB, at 400Hz
Dimensions (WxHxD): 445x535x305mm
Weight: 35kg net

The 85-16B is a fully professional multitrack recorder featuring TASCAM's unique 16-track/1" tape format. Its superb stability and reliability are ideal for demanding studio applications, and an integral dbx noise reduction system adds a measure of reproduction performance that no other recorder in its class can match.

 * 16 tracks on 1" tape * 15 ips tape speed with ±10% pitch control * Fluorescent 4-digit tape speed or elapsed time display * IPLS (Input Pre Load Sync) * Group punch-in/punch-out * Precise zero-search function * Front-panel accessible plug-in rec/play amps and dbx encode/decode PC cards * Three DC servo motors * High-speed tape storage wind mode * Integral dbx noise reduction * Adjustable transport mount angle * Top-performance DC-coupled FET rec/play amps * 28dB system headroom * Optional remote control unit (RC-85) * Optional auto locator (AQ-85B)

Line input: -10dBV (0.3V)/50k ohms, unbalanced
Line output: -10dBV (0.3V)/10k ohms or higher
Wow and flutter: 0.03% RMS (NAB weighted)
Overall freq. response: 40-18kHz ±3dB (Sync & Repro)
S/N ratio: 67dB weighted (3% THD level, 1 kHz)
THD: 1% at 0VU, 1kHz
Adjacent channel separation: better than 45dB, at 1 kHz
Dimensions (WxHxD): 615x1,090x550mm
Weight: 95kg net

TASCAM engineers have at last succeeded in engineering a cassette deck that lives up to the expectations of the studio. As such it offers numerous features normally found in studio equipment VU meters, front-panel bias and rec level adjustment and line-in sockets duplicated on the front and rear panels. Standard or double speed plus Dolby HX make the 122 ideal for mastering tapes in the cassette format.

 * 4-track, 2-channel * 3-head * 2-motor * 4.75cm/s and 9.5cm/s tape speeds * Dolby NR+HX (headroom extension) built-in * Bias/rec level calibration controls * Headphone volume control * Front panel and rear panel line inputs * Optional dbx unit (RX-8) * Wow & Flutter: 0.04% (9.5cm/s), 0.06% (4.75cm/s) * Frequency Response: 35-20kHz ±3dB (9.5cm/s), 35-14kHz ±3dB (4.75cm/s) * Dimensions (WxHxD): 442x147x345mm * Weight: 9kg net

• Anmerkung : Eines der wenigen Cassettengeräte mit doppelter (9,5cm/s) Geschwindigkeit

.

The 124AV has been designed specifically for the multi-image producer. Half-track heads and a SIMUL-SYNC monitoring/recording function allow the A/V producer to make better quality tapes audio-wise and with no annoying bleed of cue pulse into the audio signal. The 124AV can record the left and right channels separately and independently, while maintaining perfect synchronization.

 * 2-track, 2-channel * Dolby noise reduction * Mic Blend function * Cue Select for pulsing compatibility with all major brands of programming equipment * Memory stop * Dimensions (Wx HxD): 410x160x297mm * Weight: 6.7kg net
.

• Anmerkung : Ein CC-Kassettengerät mit nur 2 Spuren (Halbspur) sowie einer Synchron-Spur

.

The 133 is a state-of-the-art 3-channel, quarter-track cassette deck engineered expressly for multi-image production. All the track can be recorded and monitored fully independently, with the cue pulses separated by a wide guard band from the audio. A computerized AUTO PRESENT function takes the headache out of actual presentations by automating them, while a choice of normal or double speed, together with Dolby NR, puts the audio back in audio-visual. This level of performance was previously only possible using multitrack open reel decks.

 * 3-channel (two for AUDIO, one for CUE) * 2-motor headphone monitoring with independent volume control * lntegral 25Hz cue tone generator * More than 55dB separation between CUE and AUDIO tracks ^Dimensions (WxHxD): 442x147x 345mm * Weight: 9kg net

In a single unit the 144 provides everything needed to mix and record 4-channel multitrack tapes. A highly flexible 4-in/2-out mixer and record select matrix, together with comprehensive panning, cueing and Simul-Sync enable the user to lay down tracks in a double speed 4-channel cassette format. This gives near-open reel performance at a fraction of the cost of a separate deck and mixer.

 * 2-motor transport * 3-3/4 ips tape speed * Built-in 4-channel Dolby * * NR * ±15% pitch control "Memory stop * 4 inputs switchable for mic or line * Trim, Bass & Treble controls, Pan Pot and Aux Send level control for each input * Auxiliary mixing buss for echo or effects * Punch-in recording * Ping-pong recording

RECORDER SECTION
Track system: 4-track
Tape speed: 3-3/4 ips
Wow and flutter: 0.04% RMS (NAB weighted)
Freq. response: 20-18kHz
S/N ratio: 63dB weighted
Crosstalk: 50dB at 1kHz

MIXER SECTION
Mic/Line input: -60dBV (Mic), -10dBV (Line), +8dBV max./
60k ohms Line output, Aux output: -10dBV, +15dBV max./10k ohms or hiaher
Overall freq. response: 20-20kHz S/N ratio: 68dB WTD Tone controls
Treble: ±10dBat 10kHz
Bass: ±10dBat 100kHz GENERAL
Dimensions (WxHxD): 460x120x370mm
Weight: 9kg net

The A-3440 4-track recorder/reproducer is the ideal machine for the home multitrack recording enthusiast. It offers many of the features found on our larger multi-track machines, including the easy-operation Function and Output Select switching matrix, as well as commercial-quality performance and reliability.

 * 10-1/2" reel size * 4 tracks on 1/4" tape * 15ips and 7-1/2 ips tape speeds * ±6% pitch control * Headphone monitor select matrix * Independent input and output level controls for each channel * Optional dbx noise reduction unit (RX-9) * Function and output select matrix * Optional remote control unit (RC-70) * 4 microphone inputs

Line input: -10dBV (0.3V)/50k ohms, unbalanced
Line output: -10dBV (0.3V)/10k ohms or higher *
Wow and flutter: 0.04% RMS (NAB weighted, 15 ips) *
Overall freq. response: 40-23kHz ±3dB (15 ips) *
S/N ratio: 61 dB weighted (3% THD level, 1 kHz) *
THD: 0.8% at OVU, 1kHz *
Adjacent channel separation: better than 40dB, at 1 kHz *
Dimensions (WxHxD): 445x523x235mm * Weight: 24kg net
.

Designed to complement TASCAM mixing consoles, the GE-20 Graphic equalizer features two independent channels with ten in-line controls providing ±12dB equalization at one-octave intervals. Center frequencies are 31.5Hz, 63Hz, 125Hz, 250Hz, 500Hz, 1kHzf 2kHz, 4kHz 8kHz, and 16kHz. Each channel has independent switch-able high and low pass filters, input level control, overload indicator, EQ defeat switch and output level control. An accurate VU meter is also provided, switchable to indicate the output level of the left or right channels.

Perfect for use with any TASCAM mixing console, the M-1 is designed to provide plenty of auxiliary mixing power. It can be used anywhere an extra mix is needed: cue mixes, echo mixes, monitor mixes, etc. All inputs feature foldback jacks so the M-1 can be inserted anywhere in any line. All input channels have stereo pan pots.

 * 8 line inputs with foldback jacks * Gain and pan for each input channel * 2 main program busses with buss inputs * Master level control * Aux and line outputs * Front and rear panel headphone jacks with independent volume control * Line Input: -10dBV, +30dBV max./30k ohms * l_ine Output: - 10dBV, +1 7dBV max./10k ohms or higher * Frequency Response: 30-20kHz ±1dB * S/N Ratio: Greater than 78dB * Dimensions (WxHxD): 435x111x102mm * Weight: 2.9ky Weight

For real economy in a versatile 6x4 mixer, the M-2A can't be beat. Its lightweight portability and surprising mixing power make it perfect for all small studios and location recording. An optional meter bridge (MB-20) expands the M-2A's capabilities with four accurate VU meters and a 4 x 2 monitor mixer with a built-in headphone amplifier.

 * 6 inputs switchable for line, mic, or mic with 20dB attenuation * 4 main program busses with rear-panel buss inputs * Accessory send and receive jacks on all four program busses * Cue out jacks for use with an auxiliary cue mixer * Bass and treble equalization controls * Pan pots "Optional MB-20 meter bridge.

Mic input: -60dBV, Hi-Z input/150-10k ohms
Line input -10dBV, +20dBV max./20k ohms
Line/Aux output: -10dBV, +10dBV max./10k ohms or higher
Frequency response: 30-20kHz, ±2dB
S/N ratio: 1 input: 62dB weighted, 6 inputs: 55dB weighted
THD: 0.15% at 1kHz
Tone control: Treble: Variable ±12dB Bass: Variable ±12dB
Dimensions (WxHxD): 340x90x365mm
Weight: 6kg net

The M-3 8-in/4-out mixer offers remarkable flexibility and performance for any small or medium-size studio. It is basically three mixers in one, with the capability for virtually endless patch configurations. The main mixer, monitor mixer and submixer sections can be interconnected in any way to adapt perfectly to your recording needs.

 * 8 mic/line input channels, 4 with RIAA phono inputs * 4 main program mixing busses * 4-frequency/2-control equalizers * 6 low impedance balanced, and 2 high impedance unbalanced mike inputs * Switchable direct outputs * 4x2 stereo monitor mix * 8x2 submixer can be patched for cue mixing, monitoring, etc. * Stereo headphone monitor jacks

Input selector
Channel 1-4: Mic (low Z)/Off/Line
Channel 5-6: Mic (low Z)/Phono/Line
Channel 7-8: Mic (high Z)/Phono/Line
Mic input: -50dBV/200 ohms (low Z), 10k ohms (high Z)
Line input: -10dBV, +24dBV max./20k ohms, unbalanced
Phono input: -54dBV (1 kHz)/47k ohms
Line output/Aux output: -10dBV, +14dBV max./10k ohms
Frequency response: 30-20kHz, ±2dB
S/N ratio: 8 Mic: 60dB, weighted - 8 Line: 73dB, weighted
1 Phono: 65dB, weighted THD: 0.3% at 1kHz Equalizer (±15dB)
Low: 75/200Hz, - High: 3k/10kHz
Dimensions (WxHxD): 465x160x520mm
Weight: 14kg net

Specifically designed for professional recording applications, the M-15 offers revolutionary performance and signal routing flexibility. For its sophistication and performance, the M-15 is amazingly economical, and comes from the factory fully equipped to be readied for recording in just a few hours.

 * 16 or 24 inputs * 8 main program mixing busses with submaster faders * 8 main console outputs * Solo buss * 100mm conductive plastic faders for smooth, noise-free control * 6-frequency/4-control equalizers with bypass switches * Stereo monitor busses for control room and studio * 2 auxiliary mixing busses * 16 x 2 or dual 8x2 channel monitor selection

Input selector:
Channels 1-16: Mic/Line/Tape
Channels 17-24: Mic/Line/Off
Mic input: -50dBV, +20dBV max./200 -600 ohms, balanced
Line input:-10dBV, +28dBV max./50k ohms, unbalanced
Line output/Aux output: -2.2dBV or -10dBV switchable/10k ohms or higher S/N ratio: (weighted)
Equivalent Input Noise: 126dB
1 Mic: 76dB - 16 Mic: 65dB
Equalizer (±15dB) - Low: 75Hz, shelving Low-Mid: 200/800Hz High-Mid: 3k/5kHz High: 10kHz, Shelving
THD: 0.3% at 1kHz
Crosstalk: 65dB at 1kHz
Fader attenuation:
Greater than 75dB at 1 kHz
Dimensions (WxHxD): 1,560x310x830mm

TASCAM's 16 or 24-in/8-out mixing console, the M-16 offers the functions, flexibility and modest price demanded by engineers and managers in today's smaller studios. Very flexible monitoring functions have been built in, and a phantom power supply is fitted as standard. When you have to get the most from your budget, the M-16 is the desk that delivers the performance!

 * 16 or 24 inputs * 8 main program mixing busses * Mic input phase switches * Stereo monitor capability of input solo, monitor A/B solo and effects solo * 8 main console outputs * 4-band, 2-knob type parametric equalizer * High pass filter and low pass filter * Pre Fader Listen * Stereo echo

Input selector
Channels 1-16: Mic/Line/Tape
Channels 17-24: Mic/Line/Off (24 channel version)
Mic input: -60dBV, +20dBV max./200-600ohms, balanced
Line input: -10dBV, +45dBV max./50k ohms, unbalanced
Line output/Aux output: -2.2dBV or -10dBV switchable/10k ohms or higher S/N ratio: (weighted)
Equivalent input noise: 126dB 1 Mic: 76dB 16 Mic: 65dB 24 Mic: 63dB
Equalizer Type: Peak/Dip parametric
Level: ±1 5dB adjustable
Frequency: 30-300Hz, 200-2kHz, 1k-6kHz, 5k-12kHz THD: 0.3% at 1kHz Crosstalk: 65dB at 1 kHz
Fader attenuation: Greater than 75dRat
1kHz Dimensions (WxHxD): 1,560x310x???mm

With most mixers, you either take it or you leave it, TASCAM System 20 mixer is different - you buy the mixer you need and expand it as your needs grow. Based on the MM-20 main mixer, the System 20 can grow to join the big league with a microphone input expander, a parametric equalizer and a 4-channel meter bridge.
MM-20 Main Mixer of the SYSTEM 20

 * 6-input(2-mic, 4-line) * 6-buss output * Access Send & Receive, Direct Out, Trim, Pan, Pre/Post Aux Buss Fader and Aux Pan on each input channel * Convenient patch bay on the top panel * XLR-type mic inputs * Headphone jack and volume control * Dimensions (WxHxD): 380x95x 356mm * Weight: 4.2kg net

Mic input: -60dBV/200-600 ohms, balanced XLR type
Line input: -10dBV, +1 7dBV max./30k ohms
Buss output: -10dBV/3k ohms or higher
Line output: -10dBV,+1 7dBV max./30k ohms or higher
Frequency response: 30-20kHz, ±2dB
S/N ratio: 1 Mic input Buss out: 65dB weighted
Crosstalk: 60dB at 1kHz
THD: 0.1% at 1kHz
Fader attenuation: 60dB or more

Renowned TASCAM performance and reliability plus exceptional versatility make this fully modular mixing console a best choice for the medium-size recording studio. It offers all the features and functions you need for full mixing flexibility, and can be cascaded with a companion M-35EX expander console for up to a full 20 x 4 mixing system. The finest mixer in its class.

 * Modular construction * 4 main program busses with submaster faders * Auxiliary Cue and Echo busses * Solo buss * 4-frequency/2-control parametric equalizer * 8-tape monitor input

Input selector: Mic/Tape/Line
Mic input: -60dBV/200-600 ohms, balanced XLR type
Line input: -10dBV/50k ohms, unbalanced
Tape input: -10dBV/10k ohms, unbalanced ¦
Line output/Aux output: -1 OdBV, -2dBV switchable, +1.5 dBV max./10k ohms or higher Frequency response: 30-20kHz, ±2dB Equalizer
Type: Peak/Dip parametric
Level: ±10dB adjustable
Frequency: 60 to 300Hz/300 to 1.6kHz switchable, 1.6k to 5kHz/5kHz to 15kHz switchable
Crosstalk: better than 60dB
S/N ratio
Equivalent input noise: 125dBV
1 Mic: 79dB, weighted
8 Mic: 74dB, weighted
THD: 0.1% at 1kHz
Fader attenuation: 60dB or more
Dimensions (WxHxD): 600x185x620mm
Weight: 28kg net

For comprehensive, convenient patching of your multi-track system, the PB-64 offers 64 RCA type connectors on the front panel directly connected to the rear panel. All system patch points can be connected to the PB-64 rear panel for convenient rerouting via front-panel jumper cables.